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The Art World
The Frick Returns, Richer Than Ever
After a few years away, the Frick Collection reopens with a renovated grandeur that marries Old Master power portraits to a domestic intimacy.
By Adam Gopnik
The New Yorker Interview
Katie Kitamura Knows We’re Faking It
The novelist discusses her new book, “Audition,” the role of performance in everyday life, and the trick of crafting a narrative that functions as a “Rorschach blot.”
By Jennifer Wilson
Critic’s Notebook
The Shameless Redemption Tour of Jonathan Majors
In “Magazine Dreams,” the actor—who was found guilty of assault—plays a bodybuilder undone by the pressures of image-making. Majors has relied on the slippage between character and actor to facilitate his rebrand.
By Doreen St. Félix
Photo Booth
Capturing the Spirit of a City on Fire
The photographer Andrew Friendly watched Los Angeles burn, and then come together.
By Dana Goodyear
The Weekend Essay
Desperate for Botox
A fiftysomething writer’s quest to get injectables.
By Sarah Miller
Drinks with The New Yorker
The Play Where Everyone Keeps Fainting
Dozens of audience members have lost consciousness watching Eline Arbo’s adaptation of “The Years.” The internet has come to believe that a conspiracy is afoot.
By Anna Russell
The Current Cinema
“Warfare” Offers a Hyperrealist Rebuke of the American War Movie
Alex Garland’s latest film, which he co-directed with the former Navy SEAL Ray Mendoza, dramatizes a little-known 2006 episode from the Iraq War.
By Justin Chang
Goings On
The Evolution of Dance Theatre of Harlem
Also: Rachel Syme on the latest in charms, the Chicago rapper Saba, turtle races in Bed-Stuy, Caspar David Friedrich paired with Schumann, and more.
By Marina Harss, Sheldon Pearce, Jane Bua, Vince Aletti, Helen Shaw, Richard Brody, Inkoo Kang, Taran Dugal, and Rachel Syme
The Theatre
Retro Masculinity in “Glengarry Glen Ross” and “Good Night, and Good Luck”
Kieran Culkin and Bob Odenkirk try to close the deal in David Mamet’s classic, and George Clooney stars in a timely portrait of media courage.
By Helen Shaw
Page-Turner
Neige Sinno Doesn’t Believe in Writing as Therapy
The French author’s award-winning memoir, “Sad Tiger,” is a richly literary and starkly shattering account of childhood sexual abuse.
By Leslie Camhi